New Agendas - Revision history

FH14 at 00:31, 11 November 2009

2009-11-11T00:31:14Z

FH14 at 16:02, 2 October 2009

2009-10-02T16:02:06Z

FH14 at 02:17, 10 August 2009

2009-08-10T02:17:59Z

FH14 at 07:21, 26 July 2009

2009-07-26T07:21:17Z

FH14 at 02:17, 25 July 2009

2009-07-25T02:17:45Z

FH14 at 02:17, 25 July 2009

2009-07-25T02:17:26Z

FH14 at 02:09, 25 July 2009

2009-07-25T02:09:09Z

FH14 at 01:57, 25 July 2009

2009-07-25T01:57:12Z

61.95.49.98 at 02:30, 22 July 2009

2009-07-22T02:30:27Z

FH14 at 15:12, 21 July 2009

2009-07-21T15:12:14Z

@@ Line 30: / Line 30: @@
 {{VidChar|Surveillance Guy|Ben Werner}}
 {{VidChar|Hera|Gai Strouthos}}
-{{VidChar|Shadow|Matt Morris}}
+{{VidChar|Hera's Shadow|Matt Morris}}
 | Previous           = Lost and Found (LG15: The Last){{!}}Lost and Found
 | Next               = It's Not What it Seems

@@ Line 30: / Line 30: @@
 {{VidChar|Surveillance Guy|Ben Werner}}
 {{VidChar|Hera|Gai Strouthos}}
-{{VidChar|Shadow|LG15: The Last cameos#Matt Morris{{!}}Matt Morris}}
+{{VidChar|Shadow|Matt Morris}}
 | Previous           = Lost and Found (LG15: The Last){{!}}Lost and Found
 | Next               = It's Not What it Seems

@@ Line 29: / Line 29: @@
 {{VidChar|Surveillance Guy|Robert Robinson}}
 {{VidChar|Surveillance Guy|Ben Werner}}
-{{VidChar|Elder|Gai Strouthos}}
+{{VidChar|Hera|Gai Strouthos}}
 {{VidChar|Shadow|LG15: The Last cameos#Matt Morris{{!}}Matt Morris}}
 | Previous           = Lost and Found (LG15: The Last){{!}}Lost and Found
@@ Line 58: / Line 58: @@
 '''Surveillance Guy #2:''' Come with us.
-(''The Surveillance Guys grab Jayde by the shoulders and lead her inside. Several different shots of the door not quite closing, then cut to black with a piano playing in the background. Cut to the Order piano room, where the Elder is talking to her Shadow. The Surveillance Guys and Jayde enter, and the Elder gets up out of her chair.'')
+(''The Surveillance Guys grab Jayde by the shoulders and lead her inside. Several different shots of the door not quite closing, then cut to black with a piano playing in the background. Cut to the Order piano room, where Hera is talking to her Shadow. The Surveillance Guys and Jayde enter, and the Elder gets up out of her chair.'')
-'''The Elder:''' So, Jayde, you've finally come to your senses and given yourself in.
+'''Hera:''' So, Jayde, you've finally come to your senses and given yourself in.
 (''Jayde scoffs and crosses her arms.'')
@@ Line 66: / Line 66: @@
 '''Jayde:''' Hardly. I have something you want.
-'''The Elder:''' What can you possibly have that I want?
+'''Hera:''' What can you possibly have that I want?
 '''Jayde:''' I have information for you.
-'''The Elder:''' Jayde. Jayde, you of all people should know that we can amass, decipher, and extract informations we desire. I already have Leigh and Antonia, and the [[Sibylla|Black Widow]] will look out for Chasina.
+'''Hera:''' Jayde. Jayde, you of all people should know that we can amass, decipher, and extract informations we desire. I already have Leigh and Antonia, and the [[Sibylla|Black Widow]] will look out for Chasina.
-(''The Elder looks at the Surveillance Guys and they nod is unison. The Elder turns back to Jayde'')
+(''Hera looks at the Surveillance Guys and they nod is unison. Hera turns back to Jayde'')
-'''The Elder:''' So what could you possibly-
+'''Hera:''' So what could you possibly-
 '''Jayde:''' I can give you Chloe Murray.
-'''The Elder:''' Chloe's already been dealt with. It was a drug overdose. So perfectly dramatic. It was an obvious choice.
+'''Hera:''' Chloe's already been dealt with. It was a drug overdose. So perfectly dramatic. It was an obvious choice.
 '''Jayde:''' Yes, but not made by you.
-'''The Elder:''' What?
+'''Hera:''' What?
 '''Jayde:''' You slipped up. You lost her.
-'''The Elder:''' Don't you read the newspapers? It was front page for days. A textbook cover-up.
+'''Hera:''' Don't you read the newspapers? It was front page for days. A textbook cover-up.
 '''Jayde:''' But there was no official autopsy report. The Order wouldn't be so careless as to overlook arranging such a crucial detail. She faked her own death. She's still alive. In hiding. And only I know where.
-'''The Elder:''' What makes you so sure?
+'''Hera:''' What makes you so sure?
 '''Jayde:''' Your stupid lackeys nearly wet themselves with excitement at the mention of Chloe's name.
-(''The Elder glares at the Surveillance Guys and they look up at the ceiling. Jayde laughs.'')
+(''Hera glares at the Surveillance Guys and they look up at the ceiling. Jayde laughs.'')
 '''Jayde:''' So they brought me straight to you.
-'''The Elder:''' Deacon Cooper has obviously compromised her position. (''To the Surveillance Guys'') To what extent we'll have to find out.
+'''Hera:''' Deacon Cooper has obviously compromised her position. (''To the Surveillance Guys'') To what extent we'll have to find out.
-(''Surveillance Guy #2 nods and leaves. The Elder turns back to Jayde.'')
+(''Surveillance Guy #2 nods and leaves. Hera turns back to Jayde.'')
-'''The Elder:''' So. What are your terms?
+'''Hera:''' So. What are your terms?
 '''Jayde:''' I want you to let my mom and I go. Leave us alone. Don't follow us. Let us live a normal life.
-(''The Elder laughs.'')
+(''Hera laughs.'')
-'''The Elder:''' Oh, Jayde. Normality is a question of interpretation. (''Pauses'') Bring me Chas and Chloe. (''Walks to her chair then turns around.'') Then, maybe, I'll consider your proposal. (''The Elder sits down in her chair. The Elder and Jayde glare at each other for a few seconds.'') And those two stupid boys.
+'''Hera:''' Oh, Jayde. Normality is a question of interpretation. (''Pauses'') Bring me Chas and Chloe. (''Walks to her chair then turns around.'') Then, maybe, I'll consider your proposal. (''Hera sits down in her chair. Hera and Jayde glare at each other for a few seconds.'') And those two stupid boys.
-(''The Elder motions Jayde to leave, and Surveillance Guy #1 grabs Jayde's shoulder and leads her out of the room. The Elder continues to stare even after Jayde is gone.'')
+(''Hera motions Jayde to leave, and Surveillance Guy #1 grabs Jayde's shoulder and leads her out of the room. Hera continues to stare even after Jayde is gone.'')
 ==Notes==

@@ Line 11: / Line 11: @@
 | length             = 4:12
 | description        = Everyone has a hidden agenda...
-| location           = [[LG15: The Last minor locations#The Order Piano room|The Order Piano room]]
+| location           = [[Order HQ|The Order Piano Room]]
 | song               = "Aftermath" by mdeman<br>"Ambient Darkness Slaying" by Sean Beson<br>"Rachmaninov's Prelude in C Sharp Minor" by BerryComposer
 | tags               = {{tags|LG15 The Last|lonelygirl15|Toni|Bray|Chas|Leigh|Sibylla|Jayde|Mitch|New Agendas|bree|danielbeast|jonas|lg15}}

@@ Line 1: / Line 1: @@
 {{Blog
 | blogger            = Sibylla
@@ Line 112: / Line 111: @@
 (''The Elder motions Jayde to leave, and Surveillance Guy #1 grabs Jayde's shoulder and leads her out of the room. The Elder continues to stare even after Jayde is gone.'')
 ==Notes==

@@ Line 46: / Line 46: @@
 '''Surveillance Guy #1:''' It's a pleasure to finally meet you.
 {{transcript incomplete}}
 ==Notes==

@@ Line 16: / Line 16: @@
 | tags               = {{tags|LG15 The Last|lonelygirl15|Toni|Bray|Chas|Leigh|Sibylla|Jayde|Mitch|New Agendas|bree|danielbeast|jonas|lg15}}
 | execprod           =
-| producers          =
+| producers          = Samantha Carr, Emily Rose Robinson, Andrew Strouthos, and Catherine Williams
 | directors          =
 | vidplay            =
-| story              =
+| story              = Samantha Carr, Emily Rose Robinson, Andrew Strouthos, and Catherine Williams
 | editor             =
 | dp                 =