Difference between revisions of "Chapter 3: Trust Fall"

From LGPedia
Jump to: navigation, search
 
(21 intermediate revisions by 4 users not shown)
Line 1: Line 1:
 
{{Blog
 
{{Blog
 
| name        = {{PAGENAME}}
 
| name        = {{PAGENAME}}
 +
| series      = RES
 
| number      = 16
 
| number      = 16
 
| image      = RES17 Maggie being rescued.jpg
 
| image      = RES17 Maggie being rescued.jpg
| caption    = "Stay right there"
+
| caption    = Ooh! I spy vuh-jay-jay!
| blogger    = Hymn of None
+
| blogger    = Maggie
 
| date        = 20081004
 
| date        = 20081004
| url        = {{youtube|5b4iLtNSCDg}}<br>{{myspacetv|43939138}}<br>{{imeem|/jHPNXSTR/chapter_3_trust_fall/}}
+
| url        = {{youtube|5b4iLtNSCDg}}<br>{{myspacetv|43939138}}<br>{{imeem|/jHPNXSTR/chapter_3_trust_fall/}}<br>[http://www.veoh.com/videos/v16144934bNN8FFtn?rank=6& veoh.com]<br>[http://www.hulu.com/watch/37782/lg15-the-resistance-trust-fall#s-p1-so-i0 hulu.com]
 
| forumid    = http://www.lg15.com/bbsposts/list/2/69/340/1
 
| forumid    = http://www.lg15.com/bbsposts/list/2/69/340/1
 
| length      = 8:49
 
| length      = 8:49
 
| description = The wheels are in motion. We have reached the point of no return.
 
| description = The wheels are in motion. We have reached the point of no return.
| location    = [[LifesBlood Labs]]
+
| location    = [[Old LifesBlood Labs]], [[S.S. Hathor's Song]], [[KateModern minor locations#Internet cafés|Internet café in London]], [[Zavalla]], [[Motels#The Texas motel|The Zavalla Motel]], [[The rented house]], [[Arizona]], [[KateModern minor locations#Homeless shelter|Homeless shelter in London]], [[lonelygirl15 minor locations#Porter's hospital|Porter's hospital]], [[Big Bear Lake|Rented Cabin at Big Bear Lake]], [[Motels#Chicago Motel|A Motel]], [[Chicago]], [[Reed's loft]], [[Willow Wood Auctioneers]]
 
| tags        = {{tags|amateur|bad|blood|chapter|decision|extreme|fun|lg15|lifesblood|lonelygirl15|order|play|push|resistance|three|voxtrot}}
 
| tags        = {{tags|amateur|bad|blood|chapter|decision|extreme|fun|lg15|lifesblood|lonelygirl15|order|play|push|resistance|three|voxtrot}}
  
 
<!-- Leave production credits  
 
<!-- Leave production credits  
 
     blank if there is no information. Do not specify "none". -->
 
     blank if there is no information. Do not specify "none". -->
| execprod    =
+
| execprod    = Miles Beckett, Greg Goodfried, and Amanda Goodfried
 
| coexecprod  =
 
| coexecprod  =
 
| assocprod  =
 
| assocprod  =
Line 21: Line 22:
 
| setprod    =
 
| setprod    =
 
| producers  =
 
| producers  =
| assistprod  =
+
| assist      =  
| lineprod    =
+
| lineprod    = Lynn Kramer
 
| supprod    =
 
| supprod    =
| directors  =  
+
| directors  = Yusuf Pirhasan
| camera      =
+
| ad          = Ram Paul Silbey
| vidplay    =
+
| camera      = Kevin Schlanser
| headwriter  =
+
| vidplay    = Joshua Hale Fialkov and Jim Campolongo
| story      =
+
| headwriter  = Joshua Hale Fialkov
| editor      =
+
| story      = Joshua Hale Fialkov and Miles Beckett
| pm          =
+
| editor      = Jerry Pyle, Yusuf Pirhasan, James Renfroe, and Christopher Ryder
 
| pc          =
 
| pc          =
| pa          =
+
| pa          = Andrea Aguilar and Travis Prow
| pr          =
+
| ic          =
+
 
| animation  =
 
| animation  =
 
| prodserv    =
 
| prodserv    =
| music supervisor =
+
| music supervisor = Seth Jacobs
| song        = Artist: Push Play<br>Album: "Deserted"
+
| song        = "Away Away", "Stop Staring", "Far From Beautiful" by Push Play
 
| cast        =  
 
| cast        =  
 
{{VidChar|Jonas}}
 
{{VidChar|Jonas}}
 
{{VidChar|Sarah}}
 
{{VidChar|Sarah}}
{{VidChar|Reed}}
 
 
{{VidChar|Maggie}}
 
{{VidChar|Maggie}}
{{VidChar|Beaumont}}
+
{{VidChar|Reed}}
{{VidChar|Doctor}}
+
{{VidChar|Beaumont|Reed Windle}}
 
{{VidChar|Bree}}
 
{{VidChar|Bree}}
 
{{VidChar|Kate}}
 
{{VidChar|Kate}}
 
{{VidChar|Gina}}
 
{{VidChar|Gina}}
{{VidChar|Jonas}}
 
 
{{VidChar|Emma}}
 
{{VidChar|Emma}}
 
{{VidChar|Nadia|Cameos#Erica_Ibsen{{!}}Erica Ibsen}}
 
{{VidChar|Nadia|Cameos#Erica_Ibsen{{!}}Erica Ibsen}}
Line 57: Line 54:
 
{{VidChar|Dr. Calvin Hart|Sean Vincent Biggins}}
 
{{VidChar|Dr. Calvin Hart|Sean Vincent Biggins}}
 
{{VidChar|Dr. William Porter|Lonelygirl15 cameos#Jason Wilburn{{!}}Jason Wilburn}}
 
{{VidChar|Dr. William Porter|Lonelygirl15 cameos#Jason Wilburn{{!}}Jason Wilburn}}
{{VidChar|Doctor#{{!}}LBL Doctor 1|}}
+
{{VidChar|LifesBlood Labs employee|LG15: The Resistance cameos#Mark Hengst{{!}}Mark Hengst}}
{{VidChar|Doctor#{{!}}LBL Doctor 2|}}
+
{{VidChar|LifesBlood Labs employee|LG15: The Resistance cameos#James Casey{{!}}James Casey}}
{{VidChar|Security guard}}
+
{{VidChar|LifesBlood Labs employee|Ram Paul Silbey}}
 +
{{VidChar|LifesBlood Labs employee|LG15: The Resistance cameos#Lance Wesley{{!}}Lance Wesley}}
 +
{{VidChar|LifesBlood Labs employee|LG15: The Resistance cameos#David Thorrud{{!}}David Thorrud}}
 +
{{VidChar|LifesBlood Labs employee|Logan Rapp}}
 +
{{VidChar|LifesBlood Labs employee|LG15: The Resistance cameos#Colin Hoffmeister{{!}}Colin Hoffmeister}}
 +
{{VidChar|LifesBlood Labs employee|Travis Prow}}
 +
{{VidChar|Orderly|LG15: The Resistance cameos#Dan Flood{{!}}Dan Flood}}
 +
{{VidChar|Dr. Madison|LG15: The Resistance cameos#Tony Fleecs{{!}}Tony Fleecs}}
 +
{{VidChar|Doctor#{{!}}Nurse|LG15: The Resistance cameos#Rachel O'Meara{{!}}Rachel O'Meara}}
 +
{{VidChar|Doctor#{{!}}Nurse|LG15: The Resistance cameos#Rachel Rosenbloom{{!}}Rachel Rosenbloom}}
 +
{{VidChar|Doctor#{{!}}Nurse|Andrea Aguilar}}
 +
{{VidChar|Doctor#{{!}}Nurse|LG15: The Resistance cameos#Heidi Ryder{{!}}Heidi Ryder}}
 +
{{VidChar|Doctor#{{!}}Nurse|LG15: The Resistance cameos#Christina Rice{{!}}Christina Rice}}
 +
{{VidChar|Fake LifesBlood Labs Agent|LG15: The Resistance cameos#Jordan Lawson{{!}}Jordan Lawson}}
 +
{{VidChar|Fake LifesBlood Labs Agent|LG15: The Resistance cameos#Luke Darnell{{!}}Luke Darnell}}
 +
{{VidChar|Security guard|LG15: The Resistance cameos#Allen Burns{{!}}Allen Burns}}
 +
{{VidChar|Security guard|LG15: The Resistance cameos#Armando Alarcon{{!}}Armando Alarcon}}
 +
{{VidChar|Doctor|LG15: The Resistance cameos#Bryan Pisano{{!}}Bryan Pisano}}
 
| Previous    = Done Dirt Cheap
 
| Previous    = Done Dirt Cheap
 
| Next        = Craptastic!
 
| Next        = Craptastic!
| PreviousB  = RESPONSE REQUESTED
+
| PreviousB  = Chapter 2: Bad Decision?
 
| NextB      = Remember the Mission
 
| NextB      = Remember the Mission
 
| PreviousC  =  
 
| PreviousC  =  
Line 68: Line 82:
 
| RES        = yes
 
| RES        = yes
 
}}  
 
}}  
 +
It is also the video for the third chapter in the series.
  
 
==Transcript==
 
==Transcript==
 
 
 
'''Voice''': The fountain of youth is real, and it's in the blood of dozens of girls across the world. Their secret is known by few, yet desired by all. They are pawns in the most dangerous of games. We are the Resistance. Our mission is to find these girls, and protect them from those who want to use them, and destroy them. And we document what happens to them, so that their stories live on. This is the story of one of those girls. We are the Resistance. We will not be stopped.
 
'''Voice''': The fountain of youth is real, and it's in the blood of dozens of girls across the world. Their secret is known by few, yet desired by all. They are pawns in the most dangerous of games. We are the Resistance. Our mission is to find these girls, and protect them from those who want to use them, and destroy them. And we document what happens to them, so that their stories live on. This is the story of one of those girls. We are the Resistance. We will not be stopped.
  
Line 78: Line 91:
 
'''Maggie''': Time floated by for the princess, her mind fixed on her freedom. that she assumed must certainly be right around the corner. She so believed in her friend that she continued to fight the pain and humiliation.
 
'''Maggie''': Time floated by for the princess, her mind fixed on her freedom. that she assumed must certainly be right around the corner. She so believed in her friend that she continued to fight the pain and humiliation.
  
(''Static effect to [[Sarah]] in [[Team Player, Haters!]]. In the bottom right are the words '''Monday September 29, 2008 Sarah'''. Camera zooms in on Jonas sleeping and cuts back to Sarah.'')
+
(''Static effect to [[Team Player, Haters!]]. In the bottom right are the words "'''Monday; September 29, 2008; Sarah'''". Static effect to [[Creepy Van Man!]]. In the bottom right are the words "'''Tuesday; September 30, 2008; ReedABook'''". Static effect to clips of Maggie.'')  
 
+
'''Sarah:''' Jonas is fine. He'll probably be back on his feet in a couple of hours, but for now the rest will do him some good. Look, I know what you're thinking, okay, and I confess. I did a mildly stalkerish thing by following him to Chicago. But come on. Aren't you glad I did?
+
 
+
(''The words '''Sarah Saves the World''' are superimposed on a black screen. Sarah is seen adjusting the camera, followed by the words '''One miserable pretty boy at a time'''. The video cuts to Sarah again.'')
+
 
+
'''Sarah:''' Besides. What better way to prove that I really am on the side of the angels now than by risking my butt to save Jonas, right?
+
 
+
(''Footage from [[Mace in Yo Face!]] is shown.'')
+
 
+
'''Sarah:''' Look, when I heard about the auction, that there was some way for me to hurt the Order, I had to take that chance. Even if it meant staying under the radar. I wasn't trying to be sneaky or anything. It's just I knew what would happen if anybody saw me. And I was right. Even Jonas, he didn't want to believe me. He didn't want to believe that I really wanted to help him fight. Even after I saved his life. Which, P.S., is probably the most ungrateful accusation I've ever been...accused of. But I don't care. Because I'm not doing this for him. I'm doing this for me. Because I have something to offer. Something to prove. The Order tried to steal my life. They tried to use me as some sort of pawn. And in case you haven't noticed, I hate being told what to do.
+
 
+
(''Text on-screen reads '''Nobody puts Sarah in a corner''''')
+
 
+
'''Sarah:''' If you think I don't want the Order to pay for what they did, then you're smoking crack. And look, I don't know what these LifesBlood guys want with Jonas or how the Order fits into their plan, but we're gonna find out. I'm gonna find out. Because I'm tired of just sitting on the sidelines.
+
 
+
(''Video cuts to a clip from [[Cheer Me Up!]]'')
+
 
+
'''Sarah:''' Now we're gonna find this book, we're gonna figure out what it does, and how it can help us fight the Order. I'm in this game. And I'm on Jonas' team whether he likes it or not.
+
 
+
(''Static effect to [[Reed]] in [[Creepy Van Man!]]. In the bottom right are the words '''Tuesday September 30, 2008 ReedABook'''.'')
+
 
+
'''Reed:''' All right, this is serious despite the crazy graphic logo at the beginning.  Just ignore that.  I was shooting some more Reed Rules videos.  Go to [[LG15.com]] to see more.  Well, look.
+
 
+
(''Cut to Reed's footage'')
+
 
+
'''Reed:''' This is Reed.  I'm in the field.  I'm in action.  (''Voiceover'')  This looks like yet another (''cut back to Reed in his apartment'') hilarious and insanely insightful video made by yours truly, right?  Wrong!  (''Cut back to footage'')  I mean, it is insanely insightful but there's something else going on here.  Okay.  This van.  (''Circles a [[LifesBlood Labs]] van in the shot'') See it?  Look.  (''Zooms into the van'') (''Cut to another set of footage'') Okay, this video was shot the next day and look1  Right there.  (''Circles the van coming into the shot'') Same van.  (''Cut back to Reed'') Creepy child molester van surfaces again.  (''Cut to another set of footage'') Different day.  (''Circles the van, the logo, and a man getting out of the van'') Same van!  I m- I mean the guy's not even trying, right?  (''Cut to another set of footage.  The man getting out of the van is circled'')  No, this guy- this is the same guy that grabbed Jonas on Wednesday, right?  (''Cut back to Reed'') All right, t- this can't be a coincidence!  I mean nothing bad has happened to me.  Not yet.  Has anyone else seen this van?  Has anyone else been followed?  I mean, I- I wanna know if I'm on the crazy train by myself here.  I'm gonna need some help.  So I figured if I'm not just going to be trapped inside like some frightened child, I'm gonna need some disguises.  I came up with a few options.  Maybe you guys can figure out which one's best.  I'll put a poll up with the video.  Here's option one.  (''Cut to Reed with a blue bucket on his head'')  Eh?  Bucket?  Vaguely reminiscent of that guitar playing dude.  Option number two.  (''Cut to Reed in a furry winter hat'')  I am from Canada.  This next one is my favorite.  Hold on one second.  (''Cut to Reed in a cardboard robot costume'')  What, is it too South Park-y, do you think?  I am not Reed.  I am a robot.  So, anybody have any ideas for me about what to do, uh, or wear?  Write me message at [[LG15.com]].  Peace out.
+
 
+
(''Static effect to clips of Maggie.'')  
+
  
 
'''Maggie''': At last, the princess knew that her time in bondage was at an end. for she so believed in the boy, she could understand his message.  
 
'''Maggie''': At last, the princess knew that her time in bondage was at an end. for she so believed in the boy, she could understand his message.  
  
(''Static effect to [[Done Dirt Cheap]]. In the bottom right are the words '''Friday October 8, 2008 Jonas'''.'')
+
(''Static effect to [[Done Dirt Cheap]]. In the bottom right are the words "'''Friday; October 8, 2008; Jonas'''". Static effect to clips of Maggie pacing in her room.'')
 
+
'''Jonas:''' All right, it's the moment of truth.  If Hymn of None's little game plan doesn't work out, then we're screwed.
+
 
+
'''Sarah:''' Why don't we just put our faith in the, ah, faceless zealots because that always works out so well for us.
+
 
+
'''Jonas:''' Well, you know, what was I supposed to do?  It's not like we have a lot of options here, Sarah.
+
 
+
'''Sarah:''' Yeah, w- w- we- we're going the wrong way.
+
 
+
'''Jonas:''' What?  No we're not.
+
 
+
'''Sarah:''' No, we are.  We're supposed to be on the southeast side.
+
 
+
'''Jonas:''' Right.  We are on the south east side.  (''Turns map upside down'') Try it like that.  There you go.
+
 
+
'''Sarah:''' Oh.
+
 
+
'''Jonas:''' Let's go.
+
 
+
(''Cut to Sarah and Jonas inside the building where the Samsaran Doctrine is located.  The two walk to a balcony overlooking the book, which is being guarded by a security guard''.)
+
 
+
'''Sarah:''' Ready?
+
 
+
'''Jonas:''' What?  Ready?  Ready for what?
+
 
+
'''Sarah:''' Just follow my lead.  (''Grabs Jonas by the hand and begins pulling him down the stairs'')
+
 
+
'''Jonas:'''  What?  No!
+
 
+
'''Sarah:''' Come on.
+
 
+
'''Jonas:''' No! 
+
 
+
'''Sarah:''' (''Gasp'') Oh my gosh!  Would you look at that ceiling?  It's- it's just awe- I mean, we don't get things like that at home, do we honey? 
+
 
+
'''Security Guard:''' Ma'am?  Can you leave this area?  Please?  Please!  (''Points at Jonas'') Shut down the-  (''Sarah grabs the book'') Ma'am!
+
 
+
'''Sarah:''' (''Gasp'') The Samsaran Doctrine! It's even more beautiful... Ugh, my eternal song is singing its heart out right now!
+
 
+
'''Security Guard:'''  Put the book down now!
+
 
+
(''The security guard tries to grab the book from Sarah's grasp and Jonas punches him in the face.  The camera, the security guard, and the book fall to the ground.  The security guard grabs Jonas by the legs and pulls him down on the floor with him''.)
+
 
+
'''Security Guard:'''  Backup!  I need backup!
+
 
+
'''Jonas:'''  Sarah!  Grab the book!
+
 
+
(''Sarah's hands are seen grabbing the book.  Another security guard approaches Jonas and tousles with him.  Jonas knocks him to the ground and grabs the camera.  He hits the first guard with the camera, knocking him down as well.  Jonas begins to run down a hallway and an alarm goes off as he is running.'')
+
 
+
'''Jonas:'''  Shit.  Shit, shit, shit.
+
 
+
(''Jonas approaches the exit when another guard knocks him to the ground. The guard grabs the camera and Sarah appears and thwacks him with the Samsaran Doctrine.'')
+
 
+
(''Third security guard approaches and Sarah thwacks with the Samsaran Doctrine.'')
+
 
+
'''Sarah:''' You okay?
+
 
+
'''Jonas:''' Yeah.  (''Grabs the camera'') Come on.
+
 
+
(''The two start running again and burst through a side door. Static effect to clips of Maggie pacing in her room.'')
+
  
 
'''Maggie''': The innocent and the naive will always be victims. Until they are neither innocent, nor naive.  The princess was no different from anyone else. And yet all she could do was wait for her guiled carriage to take her away.  Still.. others execute plans.
 
'''Maggie''': The innocent and the naive will always be victims. Until they are neither innocent, nor naive.  The princess was no different from anyone else. And yet all she could do was wait for her guiled carriage to take her away.  Still.. others execute plans.
  
(''Static effect to Reed in [[HLPME]]. In the bottom right are the words '''Thursday October 2, 2008 ReedABook'''.'')
+
(''Static effect to [[HLPME]]. In the bottom right are the words "'''Thursday; October 2, 2008; ReedABook'''". Static effect to clips of Maggie'')  
 
+
'''Reed:''' Okay.  You know the van that was following me?  It's... uh... getting closer  (''Looks out the window of his apartment'')  I know this sounds ridiculous.  I mean I-  (''Sighs'') Damn it!  You know, I'm just some guy right?  It's sitting outside right now.  Here, actually, I'll show you.  (''Walks up the steps to his roof'')  I've been on the roof watching the van all morning.
+
 
+
(''A shot of the roof of Reed's apartment building is shown.  The camera zooms in on the van in a nearby parking lot and pans back to Reed.'')
+
 
+
'''Reed:''' Shit!  There was a guy over there before.  I don't know what to do, okay?  Look, I know it's not your problem or whatever but... but I'm scared.  Alright?  I- I'm, like, scared shitless here.
+
 
+
(''Cut to Reed locking his door.  The phone rings''.)
+
 
+
'''Reed:''' Hello?  Yeah.  No, I didn't invite anybody over.  Well, don't let him in!
+
 
+
(''A shadow approaches the door and knocks. Reeds runs away from the door.'')
+
 
+
'''Creepy Van Man:''' Mr. Barnes?
+
 
+
(''Reed crouches down behind his bed.'')
+
 
+
'''Reed:''' Look. [[Jonas]], [[Sarah]], the [[Hymn of None]], anybody? Please.  I need to get-
+
 
+
'''Creepy Van Man:''' I see you moving around in there!
+
 
+
'''Reed:''' (''Approaches the window'') Take me with you.  Just take me with you, okay?  I promise I- I'll help out.  I won't get in the way.  I won't be a problem.  Jonas, please, please email me.  Tell me what to do., okay?
+
 
+
(''Reed opens the window. Static effect to clips of Maggie'')  
+
  
 
'''Maggie:''' But when those plans come to fruition. you can merely hope... that those knights in knaves are on your side.  
 
'''Maggie:''' But when those plans come to fruition. you can merely hope... that those knights in knaves are on your side.  
  
(''Beaumont covers the LifesBlood Labs camera with a sheet. Static effect to the LG15: The Resistance logo, and the text '''www.LG15.com'''.'')
+
(''Beaumont covers the LifesBlood Labs camera with a sheet. Static effect to a picture of the [[LG15: The Resistance]] logo, and below it, the text "www.LG15.com"''.)
  
 
==Notes==
 
==Notes==
 
*The way that Beaumont orders Maggie onto the bed has led some forum members to speculate that Beaumont is actually working for the Order, and stealing Maggie for the Ceremony.
 
*The way that Beaumont orders Maggie onto the bed has led some forum members to speculate that Beaumont is actually working for the Order, and stealing Maggie for the Ceremony.

Latest revision as of 22:05, 18 April 2010

Episode 16/1x016
Chapter 3: Trust Fall

RES17 Maggie being rescued.jpg
Ooh! I spy vuh-jay-jay!

Blogger Maggie
Date Posted October 4th, 2008
URL youtube.com
myspacetv.com
imeem.com
veoh.com
hulu.com
Forum forum discussion
Length 8:49
Description The wheels are in motion. We have reached the point of no return.
Location(s) Old LifesBlood Labs, S.S. Hathor's Song, Internet café in London, Zavalla, The Zavalla Motel, The rented house, Arizona, Homeless shelter in London, Porter's hospital, Rented Cabin at Big Bear Lake, A Motel, Chicago, Reed's loft, Willow Wood Auctioneers
YouTube Tags amateur bad blood chapter decision extreme fun lg15 lifesblood lonelygirl15 order play push resistance three voxtrot
Production Credits
Executive Producer(s) Miles Beckett, Greg Goodfried, and Amanda Goodfried
Line Producer Lynn Kramer
Production Assistant(s) Andrea Aguilar and Travis Prow
Director(s) Yusuf Pirhasan
Assistant Director(s) Ram Paul Silbey
Camera Kevin Schlanser
Head Writer Joshua Hale Fialkov
Vidplay Joshua Hale Fialkov and Jim Campolongo
Story Joshua Hale Fialkov and Miles Beckett
Editor(s) Jerry Pyle, Yusuf Pirhasan, James Renfroe, and Christopher Ryder
Music Supervisor Seth Jacobs
Music "Away Away", "Stop Staring", "Far From Beautiful" by Push Play
Cast
Jonas Jackson Davis
Sarah Alexandra Dreyfus
Maggie Marnette Patterson
Reed Brett Ryback
Beaumont Reed Windle
Bree Jessica Lee Rose
Kate Alexandra Weaver
Gina Crystal Young
Emma Katherine Pawlak
Nadia Erica Ibsen
Daniel Yousef Abu-Taleb
Charlie Tara Rushton
Steve Giles Alderson
Dr. Calvin Hart Sean Vincent Biggins
Dr. William Porter Jason Wilburn
LifesBlood Labs employee Mark Hengst
LifesBlood Labs employee James Casey
LifesBlood Labs employee Ram Paul Silbey
LifesBlood Labs employee Lance Wesley
LifesBlood Labs employee David Thorrud
LifesBlood Labs employee Logan Rapp
LifesBlood Labs employee Colin Hoffmeister
LifesBlood Labs employee Travis Prow
Orderly Dan Flood
Dr. Madison Tony Fleecs
Nurse Rachel O'Meara
Nurse Rachel Rosenbloom
Nurse Andrea Aguilar
Nurse Heidi Ryder
Nurse Christina Rice
Fake LifesBlood Labs Agent Jordan Lawson
Fake LifesBlood Labs Agent Luke Darnell
Security guard Allen Burns
Security guard Armando Alarcon
Doctor Bryan Pisano
Adjacent Blogs
Previous "Done Dirt Cheap"
Next "Craptastic!"
Previous by Maggie "Chapter 2: Bad Decision?"
Next by Maggie "Remember the Mission"

Chapter 3: Trust Fall is the sixteenth blog in the LG15: The Resistance blog series. It is also the video for the third chapter in the series.

Transcript

Voice: The fountain of youth is real, and it's in the blood of dozens of girls across the world. Their secret is known by few, yet desired by all. They are pawns in the most dangerous of games. We are the Resistance. Our mission is to find these girls, and protect them from those who want to use them, and destroy them. And we document what happens to them, so that their stories live on. This is the story of one of those girls. We are the Resistance. We will not be stopped.

(Static effect to a picture of the LG15: The Resistance logo. Static effect to a clip of Maggie in her room.)

Maggie: Time floated by for the princess, her mind fixed on her freedom. that she assumed must certainly be right around the corner. She so believed in her friend that she continued to fight the pain and humiliation.

(Static effect to Team Player, Haters!. In the bottom right are the words "Monday; September 29, 2008; Sarah". Static effect to Creepy Van Man!. In the bottom right are the words "Tuesday; September 30, 2008; ReedABook". Static effect to clips of Maggie.)

Maggie: At last, the princess knew that her time in bondage was at an end. for she so believed in the boy, she could understand his message.

(Static effect to Done Dirt Cheap. In the bottom right are the words "Friday; October 8, 2008; Jonas". Static effect to clips of Maggie pacing in her room.)

Maggie: The innocent and the naive will always be victims. Until they are neither innocent, nor naive. The princess was no different from anyone else. And yet all she could do was wait for her guiled carriage to take her away. Still.. others execute plans.

(Static effect to HLPME. In the bottom right are the words "Thursday; October 2, 2008; ReedABook". Static effect to clips of Maggie)

Maggie: But when those plans come to fruition. you can merely hope... that those knights in knaves are on your side.

(Beaumont covers the LifesBlood Labs camera with a sheet. Static effect to a picture of the LG15: The Resistance logo, and below it, the text "www.LG15.com".)

Notes

  • The way that Beaumont orders Maggie onto the bed has led some forum members to speculate that Beaumont is actually working for the Order, and stealing Maggie for the Ceremony.