Difference between revisions of "Stakeout...With A Girl."

From LGPedia
Jump to: navigation, search
 
Line 42: Line 42:
 
| NextC =  
 
| NextC =  
 
}}
 
}}
'''{{PAGENAME}}''' is the two hundred ninety-third video in the Lonelygirl15 [[List of Lonelygirl15 Videos|video series]]. It is the thirty-seventh video of season two.
+
'''{{PAGENAME}}''' is the two hundred ninety-third video in the Lonelygirl15 [[List of Lonelygirl15 videos|video series]]. It is the thirty-seventh video of season two.
  
 
==Transcript==
 
==Transcript==

Revision as of 12:44, 20 September 2007

Episode 293/2x037
Stakeout...With A Girl.

Image not available.
Please add one.

Blogger Jonas
Date Posted September 20th, 2007
URL old.LG15.com
Forum [14121 forum discussion]
Length 2:30
Description Daniel bailed on me so I had to follow up on the clues on my own... Uh, with Sarah.
Location(s) A park
YouTube Tags lonelygirl15 lonelygirl bree danielbeast daniel jonastko jonas lg15
Production Credits
Executive Producer(s) Miles Beckett, Mesh Flinders, and Greg Goodfried
Producer(s) Amanda Goodfried
Director(s) Marcello Daciano
Camera Kevin Schlanser
Vidplay Jan Libby and Miles Beckett
Story Miles Beckett, Mesh Flinders, Greg Goodfried, and Jan Libby
Editor(s) Kevin Schlanser
Music Supervisor Seth Jacobs
Music I Heart Robots - Persian Mafia and Jack Zerby - Driving Long Distance
Cast
Jonas Jackson Davis
Sarah Alexandra Dreyfus
Carl Craig Coyne
Sonia Raegan Payne
Watcher Unknown
Adjacent Blogs
Previous "Living with Girls"
Next none
Previous by Jonas "Spreading the Song"

Stakeout...With A Girl. is the two-hundred ninety-third video in the lonelygirl15 video series. It is also the thirty-seventh video of season two. Stakeout...With A Girl. is the two hundred ninety-third video in the Lonelygirl15 video series. It is the thirty-seventh video of season two.

Transcript

(Jonas's car is in a parking lot with Sarah inside holding the camera and upbeat rock playing on the stereo. Jonas is walking towards the car with a coffee carrier in his hand.)

Sarah: Hello.

(Jonas opens the car door.)

Sarah: Did you get me my Splenda?

Jonas: (Getting into the driver's seat.)Ahhhhhh. Here.

Sarah: Thank you.

Jonas: (Closing the door.) I did get you your Splenda, but before I give it to you I want you to know that these things will kill you. (Holding up two yellow packets.) And I'm not responsible for that.

Sarah: Oh, you know nothing. They're completely natural. Just like my blonde hair!

Jonas: (Noticing the music on the stereo.) What is this?

Sarah: What's what?

Jonas: This is no good. Too early. (He ejects Sarah's CD.)

Sarah: What? What are you doing?

Jonas: This music. Here. (He puts in his own CD.) These guys are awesome, huh?

Sarah: Have you always been this boring?

Jonas: (Confused.) How am I boring?

(Cut to driving in a wooded area, with Jonas talking to the camera through the rearview mirror.)

Jonas: You know, I bet Carl and Sonia's not even their real names.

Sarah: You're probably right. But you know what, even if we could contact Carl, it doesn't matter, because he's way too true-blue Hymn of One to believe anything.

Jonas: Yeah, but I would love to talk to Sonia without Carl around, you know?

Sarah: You know what, Jonas? I don't think they know anything.

(Cut to Jonas standing behind a tree in a park.)

Sarah: Anyway, how do even know that Creepy Carl and Sad-Sack Sonia are gonna be here today?

Jonas: (Quietly) Based on what I heard Sonya say, they're gonna be here —

Sarah: (Interrupting.) Hey, say that again.

Jonas: What?

Sarah: Say "Sad-Sack Sonia" three times fast.

Jonas: Sarah, seriously. Relax.

Sarah: (Sighs impatiently.) Come on.

Jonas: I had no idea you were such a perky morning person.

(Cut to a picnic table near the street with two people sitting. Carl and Sonia's car slowly pulls up.)

Sarah: Hey, what's that?

Jonas: Wait a minute.

Sarah: Jonas, that's them? That's...

Jonas: That's them. That's them! That's Carl and Sonia!

Sarah: Oh my God.

(The car stops and Carl and Sonia get out. The camera pans back to Jonas)

Jonas: (Whispering.) Listen, I need to get a closer look.

Sarah: (Whispering.) Jonas, you can't do that! Jonas!

Jonas: Ssh! Stop!

Sarah: Jonas, they're gonna see you! (Jonas, keeping low, runs to the next picnic table and ducks behind it.) Fuck! What is he doing?

(Cut to Carl and Sonia conversing with the two people, man and woman, at the far picnic table. Then cut back to Jonas, hiding behind a tree at his picnic table, waving Sarah over.)

Sarah: (Whispering angrily) Fine! Fine! (She runs over to Jonas.) I'm gonna die, I'm gonna die, I'm gonna die!

Jonas: Gimme the camera. Gimme the camera!

(He takes the camera and points it at the group at the other picnic table. Sonya holds a document in a clip. the camera zooms in on the paper, labeled "DOMESTIC PRIVATE 001993.")

Jonas: Let's see what they're talking about.

Sarah: Wait...what is that?

Jonas: Some paperwork...

Sarah: Yeah, I know, but what...

Jonas: Shh! I'm trying to see.

Off-Camera Male Voice: Jonas!

(Camera pans to a Watcher running from a park facility towards Jonas and Sarah.)

Sarah: Oh my God.

Watcher: Jonas!

Sarah: Jonas, go. Go!

Jonas: God, you're ruining everything! Come on!

Sarah: Go! Go!

Jonas: It's a freaking Watcher.

Sarah: Yeah, I know. Go! Go!

(Camera pans to the picnic table, where Carl, Sonia, and the other couple have rushed to leave the premises.)

Jonas: What is he saying?!

Watcher: Stop, I'm here to help!

Jonas: Come on! We'll find 'em later!

Sarah: Go! What is this? What is he doing here?

Jonas: RUN! Go!!!

(Camera cuts to all Carl, Sonia, and the other two getting into Carl's car, then cuts to Sarah running.)

Sarah: Oh my...what the Hell?

(Cut to Watcher pacing and talking on a cell phone.)

Watcher: I know, I know, I know. (Pause.) No, that's not what I heard. (Pause.) No, he said that, uh, since she took the serum everything's gonna be okay. (Pause.) Actually I'm glad she's negative, we don't want one of these girls going all super-killer and turning on us. (Pause.) No, he's been instructed like all of us to keep a safe distance from her. (Pause.) Yeah, they all seem pretty harmless. (Pause.) I gotta go.

Notes

  • Presumably the Watcher is talking about Emma on the phone.
  • The Watcher's statement "Stop, I'm here to help!" seems to have been directed at Carl and Sonia and their companions, but may actually have been meant for Jonas and Sarah.