Difference between revisions of "Sneak Attack!"

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{{Blog
 
{{Blog
 
| name        = {{PAGENAME}}
 
| name        = {{PAGENAME}}
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| series      = LG15
 
| number      = 479
 
| number      = 479
 
| image      = 0479-WheelsAreInMotion.JPG
 
| image      = 0479-WheelsAreInMotion.JPG
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| blogger    = Jennie
 
| blogger    = Jennie
 
| date        = 20080509
 
| date        = 20080509
| url        = {{lg15|596}}
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| url        = {{youtube|B4QMlYRPK6Y}}
 
| forumid    = 17335
 
| forumid    = 17335
 
| length      = 4:05
 
| length      = 4:05
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<!-- Production Credits leave blank after "=" if data is not available -->
 
<!-- Production Credits leave blank after "=" if data is not available -->
| execprod    = Miles Beckett and Greg Goodfried  
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| execprod    = Miles Beckett, Greg Goodfried, and Amanda Goodfried
 
| serprod    = Amanda Goodfried  
 
| serprod    = Amanda Goodfried  
 
| pa          = Jenni Powell
 
| pa          = Jenni Powell
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| Previous    = Q & A With Jennie
 
| Previous    = Q & A With Jennie
| Next        =  
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| Next        = Backseat Shocker
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| PreviousB  = Q & A With Jennie
 +
| NextB      = Stiff
 +
}}
  
| PreviousB  =
 
| NextB      =
 
 
| PreviousC  =
 
| NextC      =
 
}}
 
 
==Transcript==
 
==Transcript==
(''Jennie sitting on her desk in the Edward Salinas campaign office.'')
+
'''Jennie:''' So I was up all night writing that brief for Mr. Thompson. When I told Jonas and [[Daniel]], they got really worried; I mean, the plan was for me to work here and stay under the radar. Jonas is freaking out. But, I mean, this is an opportunity.  The more that Thompson trusts me, the more access I'll have to [[Edward Salinas|Salinas]]. I am worried, though, and I haven't even gotten any feedback on my paper yet. I'm- I'm thinking I should just... go and not come back.
 
+
'''Jennie:''' SoI was up all night writing that brief for Mr. Thompson. When I told Jonas and Daniel, they got really worried, I mean, the plan was for me to work here and stay under the radar. Jonas is freaking out. But, I mean, this is an opportunity.  The more that Thompson trusts me, the more
+
access I'll have to Salinas. I am worried though, and I haven't even gotten any feedback on my paper yet. I'm thinking I should just go, and not come back.
+
  
(''Jennie picks up a small "Fight The Order" poster/card, showing it to the camera.'')
+
(''Jennie picks up a small "Fight [[The Order]]" card, showing it to the camera''.)
  
'''Jennie:''' I've brought some of the posters and artwork that you guys have created, and before I go, I'm going to put one of these on every desk. I can't wait to see how Salinas reacts when his staff starts asking him questions about the Order.
+
'''Jennie:''' I've brought some of the posters and campaign artwork that you guys have created, and, before I go, I'm going to put one of these on every desk. I can't wait to see how Salinas reacts when his staff starts asking him questions about the Order.
  
(''Jennie puts the card down on the desk, and the camera cuts to a side view of her, as Mr. Thompson enters her office, knocking on the open door.'')
+
(''Jennie sets the card down. Cut to Jennie typing on her laptop as Ross Thompson appears at her office, knocking on the door''.)
  
'''Jennie:''' Come in.
+
'''Jennie:''' Hi!
  
 
'''Ross:''' You are interesting.
 
'''Ross:''' You are interesting.
  
'''Jennie:''' Um, was the brief okay?
+
'''Jennie:''' Um... (''Closes her laptop''.) Uh, was the brief okay?
  
 
'''Ross:''' No, it wasn't okay.
 
'''Ross:''' No, it wasn't okay.
Line 61: Line 56:
 
'''Jennie:''' Oh, why not?
 
'''Jennie:''' Oh, why not?
  
'''Ross:''' Lisa, it was superb! ... I was blown away.
+
'''Ross:''' Lisa, it was superb!
 +
 
 +
'''Jennie:''' Oh!
 +
 
 +
'''Ross:''' I was blown away.
 
   
 
   
'''Jennie:''' Oh ... ah, I'm so glad.
+
'''Jennie:''' Oh, I'm so glad!
  
 
'''Ross:''' I gave it to the Councilman, and he was blown away too.  He called me himself this morning.
 
'''Ross:''' I gave it to the Councilman, and he was blown away too.  He called me himself this morning.
Line 73: Line 72:
 
'''Jennie:''' Oh, um, wow.
 
'''Jennie:''' Oh, um, wow.
  
'''Ross:''' I like you, I do.  So, I booked us a table for tonight 8 o'clock.
+
'''Ross:''' I like you, I do.  So I booked us a table for tonight 8 o'clock.
 
   
 
   
'''Jennie:''' Oh, I have plans.
+
'''Jennie:''' I... have plans.
  
'''Ross:''' Cancel them.
+
'''Ross:''' (''Laughs''.) Cancel them.
 
   
 
   
'''Jennie:''' Ahhhh, I kind of have a boyfriend.
+
'''Jennie:''' Um... I-I kind of have a boyfriend.
  
'''Ross:''' Ohhh, boyfriend. Alas.  He's not invited.
+
'''Ross:''' Oh, boyfriend. Alas, he's not invited.
 
   
 
   
'''Jennie:''' Oh, ummm.
+
'''Jennie:''' Oh. (''Laughs''.) Um... Oh my god...
  
(''Jonas arrives at the open door behind Thompson, knocks, and enters, shaking Thompson's hand.'')
+
(''Jonas appears at Jennie's office, wearing his [[Casting Couch|suit]] and glasses and carrying a paper bag. He knocks on the door and enters to shake Ross Thompson's hand''.)
  
'''Jonas:''' Hunh, I'm Bill.
+
'''Jonas:''' Hi, I'm, uh, I'm Bill.
  
'''Ross:''' Ross Thompson.
+
'''Ross:''' Hi, Ross Thompson.
  
 
'''Jonas:''' Ross.
 
'''Jonas:''' Ross.
  
'''Jennie:''' Yeah, this, this is Bill.
+
'''Jennie:''' Yeah, this... this is Bill.
  
 
'''Ross:''' You must be the boyfriend.
 
'''Ross:''' You must be the boyfriend.
  
'''Jonas:''' Ummmmm, yeah. Kinda.
+
'''Jonas:''' Um... yeah. Kind- kinda.
  
 
'''Ross:''' That's what I hear.
 
'''Ross:''' That's what I hear.
  
'''Jennie:''' Sooo. What are you doing here, Bill?
+
'''Jennie:''' So... What are you doing here, Bill?
  
(''Thompson seems to be checking messages on his blackberry or cellphone.'')
+
(''Thompson looks at his cellphone as Jonas holds up the paper bag''.)
  
'''Jonas:''' Oh, I came to bring you your lunch. It's tuna, your favorite... see how everything's going down here, wow, huh, this is awesome, this is (''Jonas pats Thompson a bit too firmly on the back.'') Salinas' headquarters where it all happens, huh, it's great ... really cool.
+
'''Jonas:''' Oh, I came to, uh, bring you your lunch. It's- It's tuna, your favorite... see how every thing's going down here. Wow, huh? (''Lifts up his glasses to look around and laughs''.) This is awesome, this is (''Smacks Ross on the back''.) Salinas headquarters, where it all happens, huh? It's great. Really cool. So, uh, how you doing?
  
(''Jonas changes tone from his geek act to a little more serious, turning to Jennie.'')
+
'''Jennie:''' Yeah, I'm great. Great. (''Grabs Jonas's arm''.) Um, I'll just see you at home, okay?
  
'''Jonas:''' So, ah, how're you doing?
+
'''Jonas:''' Yeah, sure! Sure, I'll see- I'll see you at home.
  
'''Jennie:''' Yeah, I'm great. (''taking hold of Jonas' elbow'')  I'll just see you at home, okay?
+
'''Jennie:''' 'Kay.
  
'''Jonas:''' (''returning to geek mode'') Yeah sure, sure, I'll ya, I'll see you at home.
+
(''Jonas salutes''.)
  
(''Jonas first starts to salute, then moves toward Jennie awkwardly and stumbles, knocking something to the ground, causing her to crack a smile.  
+
'''Jonas:''' Oh... Let me just... (''Leans toward Jennie, knocking her clipboard to the ground''.) I got it. (''Retrieves the clipboard and puts it back on her desk''.) Just didn't see that there. Alright, bye.
  
'''Jonas:''' (something unintelligible) I didn't see that there.
+
(''Jonas kisses Jennie on the cheek and leaves''.)
 
+
(''Jonas recovers and puts a clipboard on the desk.'')
+
 
+
'''Jonas:''' Bye (''kissing Jennie on the cheek, then exiting'').
+
  
 
'''Jennie:''' All right.
 
'''Jennie:''' All right.
Line 127: Line 122:
 
'''Ross:''' It was a pleasure, Bill.
 
'''Ross:''' It was a pleasure, Bill.
  
'''Jennie:''' Bye honey.
+
'''Jennie:''' Bye, honey.
  
'''Jonas:''' (''from the doorway'') Bye. (''mouths the question "honey?"'' and leaves)
+
'''Jonas:''' Bye. (''Removes his glasses''.) Honey?
  
(''Thompson and Jennie laugh a bit awkwardly.'')
+
(''Jonas gestures at Ross, mouthing "Who's that?" and leaves. Jennie and Ross laugh awkwardly''.)
 +
 
 +
'''Jennie:''' Uh...
  
 
'''Ross:''' Our table's at 8.  
 
'''Ross:''' Our table's at 8.  
  
'''Jennie:''' Oh, yeah, I don't really know.
+
'''Jennie:''' Oh, uh, yeah; I don't really know...
  
(''telephone rings'')
+
(''Ross's phone rings''.)
  
'''Ross:''' One second. (''answering phone'') Yeah? ... (''thumbs up to Jennie'') She's right in front of me...  I will tell her. (''shuts phone'')
+
'''Ross:''' Well, I ha- One second. (''Answers the phone''.) Yeah? (''Gives a thumbs-up to Jennie''.) She's right in front of me. I will tell her. (''Puts the phone down''.) That was reception. Salinas wants to talk to you. It must be about the brief.
  
'''Ross:''' That was reception.  Salinas wants to talk to you.  It must be about the brief.
+
'''Jennie:''' Uh, when? Right now?
  
'''Jennie:''' Oh, when?  Right now?
+
'''Ross:''' He's outside, waiting in a car. You can talk to him on the way to the airport.
  
'''Ross:''' He's outside, waiting in a car.  You can talk to him on the way to the airport.
+
'''Jennie:''' Oh! I-I-I-I don't really think that I-I would have anything to say...
  
'''Jennie:''' Oh. I I I don't really think that I would have anything to say...
+
'''Ross:''' Lisa, You can't keep him waiting!
  
'''Ross:''' Lisa, You can't keep him waiting!  (''Thompson rises to leave.'')
+
(''Thompson leaves''.)
  
(''Cut to Jennie alone.'')
+
'''Jennie:''' Shit! Shit-shit-shit-shit!
  
'''Jennie:''' (''to self'') Shit, shit, shit, shit, shit... (''gets up and grabs camera'')
+
(''Jennie leaves, grabbing the camera. Cut to Jennie's purse-cam as she approaches a black SUV. She stops briefly in front of it''.)
  
(''cut to purse-cam view of a black SUV outside'')
+
'''Jennie:''' Okay, now or never.
  
'''Jennie:''' (''approaching the car, talking to self'')  Okay, now or never.  (''Jennie opens the car door with her left hand, holding a mace canister'')
+
(''Jennie opens the car door, holding the mace canister. Elizabeth is sitting in the back seat''.)
  
(''The purse-cam shows Elizabeth Avery sitting in the back seat of the SUV.'')
+
'''Elizabeth:''' You won't be needing that. Please sit down. I need to talk to you, it's urgent.
 
+
'''Elizabeth:''' You won't be needing that. Please sit down. I need to talk to you.  It's urgent.
+
  
 
'''Jennie:''' What are you doing here?
 
'''Jennie:''' What are you doing here?
Line 167: Line 162:
 
'''Elizabeth:''' Saving a life.
 
'''Elizabeth:''' Saving a life.
  
'''Jennie:''' I can handle myself, thanks.
+
'''Jennie:''' I- No, I can handle myself, thanks.
  
'''Elizabeth:''' Not yours. Your friend Emma's.
+
'''Elizabeth:''' Not yours. Your friend [[Emma]]'s.
  
 
'''Jennie:''' What?
 
'''Jennie:''' What?
Line 175: Line 170:
 
'''Elizabeth:''' She's going to die.
 
'''Elizabeth:''' She's going to die.
  
'''Jennie:''' Why? How?
+
'''Jennie:''' Why-wha-? Why? How?
 +
 
 +
'''Elizabeth:''' The wheels are in motion; it's all set.
  
'''Elizabeth:''' The wheels are in motion.  It's all set.
+
(''The car door opens behind Jennie and Jonas pulls her out''.)
  
(''There is a clunk noise as if the door is opening again behind Jennie, then the purse-cam view moves suddenly away from Elizabeth Avery as Jonas pulls Jennie out of the SUV.'')
+
'''Jonas:''' Shit! Get out of the car!
  
'''Jonas:''' Get out of the car!  Get out of the car!
+
'''Jennie:''' Jonas...
  
'''Jennie:''' Jonas... Jonas, wait!
+
'''Jonas:''' Get out of the car!
  
'''Jonas:''' Right now!  
+
'''Jennie:''' Wait!
  
(''sudden cut to black'')
+
'''Jonas:''' Right now!
  
 
==Notes==
 
==Notes==
 
*This is the first time Emma has been mentioned since [[Kick His A$S!!]].
 
*This is the first time Emma has been mentioned since [[Kick His A$S!!]].

Latest revision as of 19:46, 2 July 2016

Episode 479/3x069
Sneak Attack!

0479-WheelsAreInMotion.JPG
Pursecam: Upgrade or Downgrade?

Blogger Jennie
Date Posted May 9th, 2008
URL youtube.com
Forum 17335|3=lg15}}
Length 4:05
Description I'm speechless.
Location(s) Salinas Campaign Headquarters
YouTube Tags lonelygirl15 lg15 bree danielbeast jonastko jennie order salinas
Production Credits
Executive Producer(s) Miles Beckett, Greg Goodfried, and Amanda Goodfried
Series Producer(s) Amanda Goodfried
Production Assistant(s) Jenni Powell
Director(s) Marcello Daciano
Camera Kevin Schlanser
Vidplay Tom Pettit
Story Tom Pettit and Jim Campolongo
Editor(s) Matt Vanselow
Music Supervisor Seth Jacobs
Cast
Jennie Melanie Merkosky
Ross Thompson Tom Pettit
Jonas Jackson Davis
Elizabeth Avery Melissa Kite
Adjacent Blogs
Previous "Q & A With Jennie"
Next "Backseat Shocker"
Previous by Jennie "Q & A With Jennie"
Next by Jennie "Stiff"

Sneak Attack! is the four-hundred seventy-ninth video in the lonelygirl15 video series. It is also the sixty-ninth video of season three.

Transcript

Jennie: So I was up all night writing that brief for Mr. Thompson. When I told Jonas and Daniel, they got really worried; I mean, the plan was for me to work here and stay under the radar. Jonas is freaking out. But, I mean, this is an opportunity. The more that Thompson trusts me, the more access I'll have to Salinas. I am worried, though, and I haven't even gotten any feedback on my paper yet. I'm- I'm thinking I should just... go and not come back.

(Jennie picks up a small "Fight The Order" card, showing it to the camera.)

Jennie: I've brought some of the posters and campaign artwork that you guys have created, and, before I go, I'm going to put one of these on every desk. I can't wait to see how Salinas reacts when his staff starts asking him questions about the Order.

(Jennie sets the card down. Cut to Jennie typing on her laptop as Ross Thompson appears at her office, knocking on the door.)

Jennie: Hi!

Ross: You are interesting.

Jennie: Um... (Closes her laptop.) Uh, was the brief okay?

Ross: No, it wasn't okay.

Jennie: Oh, why not?

Ross: Lisa, it was superb!

Jennie: Oh!

Ross: I was blown away.

Jennie: Oh, I'm so glad!

Ross: I gave it to the Councilman, and he was blown away too. He called me himself this morning.

Jennie: Wow.

Ross: I think there could be a place in the campaign for you... healthcare, women's issues...

Jennie: Oh, um, wow.

Ross: I like you, I do. So I booked us a table for tonight 8 o'clock.

Jennie: I... have plans.

Ross: (Laughs.) Cancel them.

Jennie: Um... I-I kind of have a boyfriend.

Ross: Oh, boyfriend. Alas, he's not invited.

Jennie: Oh. (Laughs.) Um... Oh my god...

(Jonas appears at Jennie's office, wearing his suit and glasses and carrying a paper bag. He knocks on the door and enters to shake Ross Thompson's hand.)

Jonas: Hi, I'm, uh, I'm Bill.

Ross: Hi, Ross Thompson.

Jonas: Ross.

Jennie: Yeah, this... this is Bill.

Ross: You must be the boyfriend.

Jonas: Um... yeah. Kind- kinda.

Ross: That's what I hear.

Jennie: So... What are you doing here, Bill?

(Thompson looks at his cellphone as Jonas holds up the paper bag.)

Jonas: Oh, I came to, uh, bring you your lunch. It's- It's tuna, your favorite... see how every thing's going down here. Wow, huh? (Lifts up his glasses to look around and laughs.) This is awesome, this is (Smacks Ross on the back.) Salinas headquarters, where it all happens, huh? It's great. Really cool. So, uh, how you doing?

Jennie: Yeah, I'm great. Great. (Grabs Jonas's arm.) Um, I'll just see you at home, okay?

Jonas: Yeah, sure! Sure, I'll see- I'll see you at home.

Jennie: 'Kay.

(Jonas salutes.)

Jonas: Oh... Let me just... (Leans toward Jennie, knocking her clipboard to the ground.) I got it. (Retrieves the clipboard and puts it back on her desk.) Just didn't see that there. Alright, bye.

(Jonas kisses Jennie on the cheek and leaves.)

Jennie: All right.

Ross: It was a pleasure, Bill.

Jennie: Bye, honey.

Jonas: Bye. (Removes his glasses.) Honey?

(Jonas gestures at Ross, mouthing "Who's that?" and leaves. Jennie and Ross laugh awkwardly.)

Jennie: Uh...

Ross: Our table's at 8.

Jennie: Oh, uh, yeah; I don't really know...

(Ross's phone rings.)

Ross: Well, I ha- One second. (Answers the phone.) Yeah? (Gives a thumbs-up to Jennie.) She's right in front of me. I will tell her. (Puts the phone down.) That was reception. Salinas wants to talk to you. It must be about the brief.

Jennie: Uh, when? Right now?

Ross: He's outside, waiting in a car. You can talk to him on the way to the airport.

Jennie: Oh! I-I-I-I don't really think that I-I would have anything to say...

Ross: Lisa, You can't keep him waiting!

(Thompson leaves.)

Jennie: Shit! Shit-shit-shit-shit!

(Jennie leaves, grabbing the camera. Cut to Jennie's purse-cam as she approaches a black SUV. She stops briefly in front of it.)

Jennie: Okay, now or never.

(Jennie opens the car door, holding the mace canister. Elizabeth is sitting in the back seat.)

Elizabeth: You won't be needing that. Please sit down. I need to talk to you, it's urgent.

Jennie: What are you doing here?

Elizabeth: Saving a life.

Jennie: I- No, I can handle myself, thanks.

Elizabeth: Not yours. Your friend Emma's.

Jennie: What?

Elizabeth: She's going to die.

Jennie: Why-wha-? Why? How?

Elizabeth: The wheels are in motion; it's all set.

(The car door opens behind Jennie and Jonas pulls her out.)

Jonas: Shit! Get out of the car!

Jennie: Jonas...

Jonas: Get out of the car!

Jennie: Wait!

Jonas: Right now!

Notes