Difference between revisions of "The Ladies Room"
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(''Jonas and Sarah sit in an office. Jonas is looking around the desk as Sarah talks to the camera, hidden in her bag.'') | (''Jonas and Sarah sit in an office. Jonas is looking around the desk as Sarah talks to the camera, hidden in her bag.'') | ||
− | '''Sarah:''' Okay so we're here at the [[Lullaby Project]]. | + | '''Sarah:''' Okay, so we're here at the [[Lullaby Project]]. |
'''Jonas:''' Shh! | '''Jonas:''' Shh! | ||
− | '''Sarah:''' ('' | + | '''Sarah:''' (''turning to Jonas'') Sorry. (''looks back at the camera'') You probably know them as the place that's trying to stop, you know, infant mortality in third world countries. |
'''Jonas:''' Sarah! | '''Jonas:''' Sarah! | ||
− | '''Sarah:''' This is important. (''Turning back to camera'') We're trying to prove that they're in cahoots with [[ | + | '''Sarah:''' This is important. (''Turning back to camera'') We're trying to prove that they're in cahoots with [[the Order]]. Jonas came up with this brilliant- |
'''Joans:''' Shh! | '''Joans:''' Shh! | ||
Line 73: | Line 73: | ||
'''Receptionist:''' So, where were we? | '''Receptionist:''' So, where were we? | ||
− | '''Sarah:''' Yeah, we were uh | + | '''Sarah:''' Yeah, we were, uh, we wanted to volunteer for the Lullaby Project. Why don't you tell her, honey? |
− | '''Jonas:''' Hm? Oh uh | + | '''Jonas:''' Hm? Oh, uh, okay. Well, we, um, we got interested...You know what, honey? Why don't you tell her because, you know, you just tell it so much better. |
− | '''Sarah:''' Aw, thanks. I moved to Los Angeles to become an actress. Heh... | + | '''Sarah:''' Aw, thanks. I moved to [[General LA area|Los Angeles]] to become an actress. Heh... |
− | '''Jonas:''' Hmm.. | + | '''Jonas:''' Hmm... |
− | '''Sarah:''' ...and when I heard about all the | + | '''Sarah:''' ...and when I heard about all the--everything that you were doing, acting suddenly seemed so shallow. |
− | '''Receptionist:''' That's nice, | + | '''Receptionist:''' That's nice. But, I have to tell you guys, it's an awful lot of hard work. |
− | '''Sarah:''' But isn't anything that's worth doing hard work? | + | '''Sarah:''' But, isn't anything that's worth doing hard work? |
− | '''Jonas:''' ('' | + | '''Jonas:''' (''putting his hand on Sarah's knee'') Isn't she wonderful? So amazing. |
− | '''Sarah:''' ('' | + | '''Sarah:''' (''getting up'') Yeah, do you have a ladies room? |
'''Receptionist:''' Uh, yes. Out there, turn left. | '''Receptionist:''' Uh, yes. Out there, turn left. | ||
− | '''Sarah:''' Thanks, I'm just going to grab my purse. ('' | + | '''Sarah:''' Thanks, I'm just going to grab my purse. (''picks up bag with camera in'') |
− | (''Sarah walks past a picture of a group of people, a kitchen, the bathroom and finally comes to an office.'') | + | (''Sarah walks past a picture of a group of people, a kitchen, the bathroom, and finally comes to an office.'') |
− | '''Sarah:''' You know the thing that really bothers me in movies? When people enter an office. They break in looking for clues. ( | + | '''Sarah:''' You know the thing that really bothers me in movies? When people enter an office. They break in looking for clues. ('opening a cupboard'') How do they know what clues to look for? How do they know what to- |
(''Sarah turns to see a different receptionist with glasses standing behind her'') | (''Sarah turns to see a different receptionist with glasses standing behind her'') | ||
Line 105: | Line 105: | ||
'''Sarah:''' Uh...I got lost. Where's the ladies room? | '''Sarah:''' Uh...I got lost. Where's the ladies room? | ||
− | '''Nosy Receptionist:''' (''Smiling and pointing'') Oh it's the next door down. | + | '''Nosy Receptionist:''' (''Smiling and pointing'') Oh, it's the next door down. |
'''Sarah:''' Thanks. | '''Sarah:''' Thanks. | ||
Line 115: | Line 115: | ||
'''Nosy Receptionist:''' Sure. | '''Nosy Receptionist:''' Sure. | ||
− | '''Sarah:''' ('' | + | '''Sarah:''' (''as the woman leaves |
+ | '') Great. | ||
− | (''Sarah walks down the corridor into another office'' | + | (''Sarah walks down the corridor into another office'' |
− | '''Sarah:''' This is starting to get on my nerves. ('' | + | '''Sarah:''' This is starting to get on my nerves. (''flipping through files'') I mean, even the smallest offices, they're full of files and drawers and...nothing. I mean, seriously, what are they going to do? File something under incriminating evidence? (''turning the camera to her face'') Not. |
− | ('' | + | (''finds several boxes marked "Fragile;" looks inside an open box'') |
'''Sarah:''' What's that? Smoking gun. | '''Sarah:''' What's that? Smoking gun. | ||
− | ('' | + | (''takes out a smaller box'') |
− | '''Sarah:''' (''reading'') Verdus Pharmaceuticals Multi-Vitamins. | + | '''Sarah:''' (''reading'') "Verdus Pharmaceuticals Multi-Vitamins." |
− | (''The | + | (''The Nosy Receptionist finds her looking in the boxes.'') |
'''Nosy Receptionist:''' What-What are you doing? | '''Nosy Receptionist:''' What-What are you doing? | ||
Line 137: | Line 138: | ||
'''Nosy Receptionist:''' (''Walking backwards, pointing at Sarah'') Stay there, I'll call security. Stay right there. | '''Nosy Receptionist:''' (''Walking backwards, pointing at Sarah'') Stay there, I'll call security. Stay right there. | ||
− | '''Sarah:''' Yeah sure. Right | + | '''Sarah:''' Yeah, sure. Right. I won't...Oh, [[Four-letter words|shit]]. |
− | ('' | + | (''runs; scene switches to her in rented house, talking to the camera.'') |
− | '''Sarah:''' Oh Jonas. I mean look | + | '''Sarah:''' Oh, Jonas. I mean, look. I know what the Order and [[The Hymn of One]] and all their wacko friends are capable of, and I know that things aren't always what they seem. But the Lullaby Project? I mean, these people? They just seemed like do-gooders. And sometimes, if it looks like a duck, it quacks like a duck--(''Leaning forward'') I'll spare you the suspense--it's a duck. |
==Notes== | ==Notes== | ||
Sarah finds multivitamins at the Lullaby Project location in this video. This fully supports the theory that the goal of the Lullaby Project is to influence the production of trait positive babies by reaching the birth-mothers first. | Sarah finds multivitamins at the Lullaby Project location in this video. This fully supports the theory that the goal of the Lullaby Project is to influence the production of trait positive babies by reaching the birth-mothers first. |
Revision as of 21:08, 6 November 2007
The Ladies Room | |
Blogger | Sarah |
---|---|
Date Posted | November 5th, 2007 |
URL | old.LG15.com |
Length | 2:33 |
Description | Going undercover isn't as fun as I thought it would be. |
Location(s) | The Lullaby Project Center, The rented house |
YouTube Tags | lonelygirl15 lg15 danielbeast daniel jonas jonastko soccerstar hymnofone order |
Cast | |
Jonas | Jackson Davis |
Sarah | Alexandra Dreyfus |
Lullaby Project Receptionist | Rima Mahal |
Lullaby Project Receptionist 2 | No Credit Given |
Adjacent Blogs | |
Previous | "Connections" |
Next | none |
Previous by Sarah | "Sarah and the City" |
The Ladies Room is the three-hundred thirty-ninth video in the lonelygirl15 video series. It is also the eighty-third video of season two. The Ladies Room is the three-hundred thirty-ninth video in the lonelygirl15 video series. It is also the eighty-third video of season two.
Transcript
(Jonas and Sarah sit in an office. Jonas is looking around the desk as Sarah talks to the camera, hidden in her bag.)
Sarah: Okay, so we're here at the Lullaby Project.
Jonas: Shh!
Sarah: (turning to Jonas) Sorry. (looks back at the camera) You probably know them as the place that's trying to stop, you know, infant mortality in third world countries.
Jonas: Sarah!
Sarah: This is important. (Turning back to camera) We're trying to prove that they're in cahoots with the Order. Jonas came up with this brilliant-
Joans: Shh!
(A receptionist enters the office and the pair quickly move back to their seats and act normally.)
Receptionist: So, where were we?
Sarah: Yeah, we were, uh, we wanted to volunteer for the Lullaby Project. Why don't you tell her, honey?
Jonas: Hm? Oh, uh, okay. Well, we, um, we got interested...You know what, honey? Why don't you tell her because, you know, you just tell it so much better.
Sarah: Aw, thanks. I moved to Los Angeles to become an actress. Heh...
Jonas: Hmm...
Sarah: ...and when I heard about all the--everything that you were doing, acting suddenly seemed so shallow.
Receptionist: That's nice. But, I have to tell you guys, it's an awful lot of hard work.
Sarah: But, isn't anything that's worth doing hard work?
Jonas: (putting his hand on Sarah's knee) Isn't she wonderful? So amazing.
Sarah: (getting up) Yeah, do you have a ladies room?
Receptionist: Uh, yes. Out there, turn left.
Sarah: Thanks, I'm just going to grab my purse. (picks up bag with camera in)
(Sarah walks past a picture of a group of people, a kitchen, the bathroom, and finally comes to an office.)
Sarah: You know the thing that really bothers me in movies? When people enter an office. They break in looking for clues. ('opening a cupboard) How do they know what clues to look for? How do they know what to-
(Sarah turns to see a different receptionist with glasses standing behind her)
Nosy Receptionist: Can I help you with something?
Sarah: Uh...I got lost. Where's the ladies room?
Nosy Receptionist: (Smiling and pointing) Oh, it's the next door down.
Sarah: Thanks.
Nosy Receptionist: Right that way.
Sarah: Helpful.
Nosy Receptionist: Sure.
Sarah: (as the woman leaves ) Great.
(Sarah walks down the corridor into another office
Sarah: This is starting to get on my nerves. (flipping through files) I mean, even the smallest offices, they're full of files and drawers and...nothing. I mean, seriously, what are they going to do? File something under incriminating evidence? (turning the camera to her face) Not.
(finds several boxes marked "Fragile;" looks inside an open box)
Sarah: What's that? Smoking gun.
(takes out a smaller box)
Sarah: (reading) "Verdus Pharmaceuticals Multi-Vitamins."
(The Nosy Receptionist finds her looking in the boxes.)
Nosy Receptionist: What-What are you doing?
Sarah: Uh, do you have a ladies room?
Nosy Receptionist: (Walking backwards, pointing at Sarah) Stay there, I'll call security. Stay right there.
Sarah: Yeah, sure. Right. I won't...Oh, shit.
(runs; scene switches to her in rented house, talking to the camera.)
Sarah: Oh, Jonas. I mean, look. I know what the Order and The Hymn of One and all their wacko friends are capable of, and I know that things aren't always what they seem. But the Lullaby Project? I mean, these people? They just seemed like do-gooders. And sometimes, if it looks like a duck, it quacks like a duck--(Leaning forward) I'll spare you the suspense--it's a duck.
Notes
Sarah finds multivitamins at the Lullaby Project location in this video. This fully supports the theory that the goal of the Lullaby Project is to influence the production of trait positive babies by reaching the birth-mothers first.